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'American Gods' episode 3: A bold daring story of two Arab men
American Gods is an American fantasy drama television series based on Neil Gaiman 's novel of the same name and developed by Bryan Fuller and Michael Green for the premium cable network Starz. Produced by Fremantle North America and distributed by Lionsgate Television , the first season premiered on April 30, Fuller and Green served as the showrunners for the first season and were replaced by Jesse Alexander for the second season. Charles H. Eglee serves as showrunner for the third season. Gaiman serves as an executive producer.
Let’s talk about all that sex in American Gods
Despite great success in its first season, American Gods has suffered a troubled production history, resulting in the departure of several key members of the cast. Over the course of its three-season run, the show has had three different showrunners, which has led to inconsistent storytelling and conflict both on set and off. The departure of original showrunners and creators Bryan Fuller and Michael Green is said to have been facilitated by disagreements about the show's budget and conflict with author Neil Gaiman, who wanted a more faithful adaptation of his book. Unfortunately, the problems did not stop there.
American Gods has been making waves since it debuted on Starz last month. An adaptation of Neil Gaiman 's novel about a brewing war between gods of old and gods of new, the series was brought to life using striking, bold visuals and a script that adheres closely to its incredibly detailed source material. The result is a beautiful piece of artwork , and it seems like there's at least one scene each week that leaves fans' jaws on the floor. The scene might be the most erotic sex scene between two men ever seen on cable -- and that's including HBO's Looking , which set the bar fairly high during its two-season run. Like most everything else in American Gods , the scene was lifted straight from the pages of Gaiman's novel, and according to executive producer Bryan Fuller Hannibal , it was also one of the scenes he and executive producer Michael Green Logan were most excited about bringing to life onscreen because of the beautiful and powerful metaphors found within it.